Wednesday, October 11, 2017

Tasting Catherine Marshall's wines with lunch at Ellerman House

Catherine Marshall has been making wine now for 20 years! We all remember her first Barefoot wine, but making wine for this long matures one and her wines have changed, evolved and emerged as some of the best South Africa produces. We were delighted to be invited to taste them last week. Ellerman House is one of the best boutique Hotels in South Africa, with one of the best wine cellars, and a renowned art collection. We have been invited for wine tastings before, this time it was to be lunch
We met in the wine cellar with its huge corkscrew helix in which the wines are stored
Allan Mullins CWM, wine selector for Woolworths, was there and was welcomed by Ellerman House's sommelier Manuel Caballo
Negociant Tracy van Maaren has Cathy's wines on her sales list, amongst other good wine farms - Opening the wines...
...and making sure everything is properly laid out
The Catherine Marshall wines have all been rebranded with labels that Cathy says really represent who she is and how she feels about the wines. They were commissioned by Cathy and designed by talented 20 year old designer Beatrice Fassler (granddaughter of South African couturier Marianne Fassler)
Journalist Anel Grobler of Spit or Swallow with Allan Mullins. We tasted the Semillon on arrival. It is made in very small quantities and not often shown. Lanoline and limes with steely minerality, a full mouth and lovely layers of fruit and freshness with a long end
Time to taste. We began with the 2016 Riesling from Elgin where the grapes are grown on red shale. It has soft terpenes, dusty honey notes on the nose, a tingle on the tongue with limes & lemons and some beeswax on the end. The wine is left on the lees for texture and balance. It is elegance personified. Cathy is selling it to Vagabond in London
These are the wines we tasted. The new collection is to be released in the next two weeks. Next came the Fine Art Collection 2016 Chenin in Clay. The wine is fermented for 14 months in a clay amphora made at Longkloof. 100% Elgin fruit, honey flowers with light wood. Silky smooth on the palate honey minerality limes, with wood support but invisible. Sweet melon, and light chalk, a Loire style Chenin. Her heart lies in the Loire. These are such site specific wines


She says that to be successful, you have to keep reinventing yourself. This is a range abut art; her art is wine, in which she can express herself, wines made with an intention of quality. They are beginning to get high scores
This year she has been nominated for 5 stars in Platter, Tim Atkin gave her 91 points for the 2013 Clay soil Pinot Noir
It was a stormy day outside
Next came the 2016 Pinot Noir on Sandstone. Roses, violets, mushrooms, forest floor and incense wood on this nuanced nose. Dark wood on the palate, with liquorice, needs time to soften. Dark berry fruit almost bruléed, with warmth and crisp red fruit and dark toasted wood on the end. The 2016 Pinot Noir on Clay is completely different. Raspberries, perfume incense wood, red velvet texture, with sweet red berries, rhubarb and full on the palate. Then the 2016 Finite Elements Pinot Noir. Perfumed berry nose, velvet and smoke, minerality integrated fruit, slight lactic note
Time for the wine everyone raved about, which has been nominated for 5 stars in this year’s Platter Guide. Announcements will be at the Platter launch on the 4th of November. Peter's Vision 2015; a blend of 87% Merlot (an Italian clone) from Shannon and 13% Cabernet Franc (a French clone). From Elgin, on the left hand side of the N2. Berries were hand sorted. Lead pencils, rhubarb, mulberries , cherries, savoury and herbal. On the palate, layers and layers of rich, ripe red and black fruit, elegance, wood and soft chalky tannins and some caramel, with plums in brandy enrobed in chocolate on the end. A WOW wine. This is dedicated to Pete Oxenham, Cathy's late partner, son Jonathan's (Jonno) dad who, sadly, died of cancer
Cathy's son Jonno will be joining her soon to help with the wine making
Cathy does the vineyard selection, wine production, marketing and sales; her mother Jakki is also involved in the money side of the business and Greg Mitchell runs the behind the scenes business side of the company
After the tasting, we were honoured with a tour of the art in Ellerman House. There are many magnificent pictures, some by very famous artists
A beautiful Pierneef in the corridor of the hotel
Down the stairs to the Art Gallery. The views from the hotel are magnificent, even in the middle of a storm
The gardens are legendary too
A stacked rock head holding up the ceiling
There is so much to look at, some to admire, some to covet, some to puzzle over and even some to giggle at
This couple from Kenya, who are friends of Cathy’s, was enjoying the experience
Close up, its these tiny stacked roundels of different colours
from afar, with a slight squint, suddenly Steve Biko's face appears, Magic
Hmmm. some found this offensive, others didn't...
A Hairy naked man? Just hanging - very lifelike, but only about 50cm from hands to socks
Another magical artwork. The smear on the surface circular table reflects onto the tube and suddenly you see the scene
The stillness of sculptures in a courtyard
Sculpture caught in the wind
Time for some lunch. This is the menu
The citrus seared gravadlax with orange, apple and hazelnuts, paired with the Chenin in Clay
Vadouvan Karoo Lamb chops. Vadouvan is a conundrum, it is a French curry mix - French? eating curry? It was on some of the chops. We think the lamb had been cooked sous vide, because it was very, very pink and soft, with no crisp fat or searing marks. Rather too blue for some of us lamb lovers. Served on a bed of black lentils and chard with a nice flavourful crisp bhadji (savoury deep fried chick pea donut) with a scattering of crumbs and almond sliver. Served with both the Finite Elements Pinot Noir 2016 and Peter's Vision 2015
We ended the meal with a platter of cheeses - the finest of which was an 'au point' French Epoisse which we love, crackers and bread and some guava paté de fruit. This was served with The Myriad 2009, a dessert wine made from Merlot with cask matured brandy spirit; superb with cheese and any dessert

The family together. Thank you for a lovely tasting

Dinner at Forage; Wildekrans Estate, Bot River

The last time we stayed at Wildekrans in Bot River, the chef Greg Henderson had just arrived to open Forage restaurant. A year and a half later we returned, with most of our wine club in tow, to stay in the Lodge for the weekend and have dinner in the restaurant on Saturday night. There were 18 of us seated at three tables. Forage has been gaining a reputation for interesting modern food and it is located in an area rather barren of fine dining
The restaurant is in a large barn like building with a vaulted ceiling, sparkling chandeliers and an interesting mural feature of herbs and spring vegetables
The kitchen is partially open to the restaurant and is so well ordered and quiet as the kitchen staff silently glide about preparing such pretty dishes
The menu. It changes with the seasons and with availability of ingredients. Chef did not insist on this large group having a set menu, which is their usual practice, as it helps the kitchen when they have such a large group staying and dining at the Wildekrans Lodge. Chef agreed that for R350 per person, we could choose three courses from the Ă  la carte menu
Chef goes foraging locally for lots of herbs, vegetables and things from the sea, strand, forest and bush. This was balsamic vegetable infused with herbs, and a mustard butter
These accompanied the ash damper bread rolls - cooked in the ashes of the fire
Our friendly and helpful waitress explains the menu. Other tables ordered bottles of wines to share, our table decided to go with the suggested pairings which are by the glass for each course. The Estate wine pairing is R35 per glass and the Barrel Selection is R75 a glass. We did order a bottle of the Wildekrans MCC to start with; this is made from Chenin Blanc and shows some sweetness from the ripe grapes
One of the chefs taking such trouble with presentation
But first an amuse - under the glass, some smoke from an indigenous sage (sativa) plant set alight...
... a nasturtium ...
... and beneath that the smallest morsel of fillet steak, very tender and smoky on a Hollandaise sauce, on a peppery nasturtium leaf. One lovely mouthful
Chef plating up one of our starters
Shoreline: A mousse of pork jowl, baby clams, champagne jelly and dressed with a foam and kelp caviar. Paired with Wildekrans MCC Brut Rosé NV
Pond Ecosystem: A creamy Waterblommetjie soup, with a bulrush tempura, smoked and cured wild Overberg trout. Paired with Wildekrans MCC Chenin 2014
Duck in the Pines. Paté squares of wild duck liver on a duck skin crumble and topped with a smoked plum jelly and lazy daisies. This was accompanied by a warm pinecone, studded with pine nuts and redolent of pine oil. You sprinkled them over the dish. Served with crisp toasted bread. We both had it and enjoyed it very much, paired with the Wildekrans Estate Sauvignon Blanc 2017, fresh and lively
A palate cleanser of orange sorbet dipped in orange zest. Good but very cold when you put the whole morsel in your mouth at once
Preparing the main course. The Renosterbos Lamb was the most popular dish
Thuli Cattle Story: Sous vide Nguni sirloin, fynbos boerewors, beef cheek, smoked Cape Watsonia bulb, dandelion maize polenta and a good dark jus. Served with a Barrel select Shiraz 2014
John chose the Farmlands dish. The very well hung, perhaps a little over hung rabbit and guinea fowl were wrapped in bacon and had been cooked sous vide. It certainly was ripe and rather slippery to cut. This came with a pork hock, Bietou gel, wild onion, baby turnips, veld patat (sweet potato) wild grass and a dark jus. Paired with the Barrel select Cape Blend 2014
Lynne chose the Demersal (fish living close to the floor of the sea or lake) as there was promise of razor clams with the dish. It was a large slice of unskinned hake, which had been steamed, covered with a rather tasteless foam - promised was a champagne urchin foam. The hake was billed as smoked, but there was not a lot of smoke in the dish. Served with tiny clams, a solid smoked salmon mousse, some baby sour fig (edulus) leaves, and an undiscovered secret: some white mussel meat which was absolutely delicious, rather like abalone. We need to eat these more, rather than use them as bait. Next to the fish was the razor clam, finely diced and served with some leek-like vegetable. What this dish needs is some sort of lemon butter sauce or another to add some moisture to the very delicate hake. This was paired with the Wildekrans MCC Brut Rosé
Two choices for dessert. Lynne chose this one as she was assured that there is no dairy involved. Fallen Lime is a white chocolate and sugar candy sphere; you have to hammer to get into it. It is set on a rather stony dark sand (some described this as grape nuts) and one hard piece nearly broke a tooth. Secured to the plate and filled with some creamy French meringue and hiding a ball of soft lime curd. Served with the Protea Potion, house made sweet and bitter Vermouth with Protea nectar
The other choice was Van Noot’s Secret: a small milk tart with cinnamon snaps, a sugar work piece, Herzog biscuit crumble and topped with a vanilla bean and goats’ milk ice cream. Served with the powerful Wildekrans Chenin Blanc Grappa 2013
Chef Greg Henderson. Our group were surprised and astounded at this adventurous meal, the presentations, the ingenuity and the fact that, if one had a meal like this in the city, one would pay twice as much or even more. Thank you Chef and the really superb staff who took care of our every need
The bill for our table of six